Book Review

Attali, Jacques. 1985. Noise: Political-Economy of Music. Translated by Brian Massumi. Minnesota Unv. Press.

Feld, Steven. 2000. “A Sweet Lullaby for World Music.” Public Culture 12(1): 145–171.

Gedik, Ali C. 2017. “Mapping Popular Music Studies in Turkey onto Studies in the Anglophone World.” In Popular Music Studies Today. Systematische Musikwissenschaft. Edited by Julian Merrill, 119–128. Springer VS, Wiesbaden.

Grossberg, Lawrence. 2002. “Reflections of a Disappointed Popular Music Scholar.” In Rock Over the Edge: Transformations in Popular Music Culture. Edited by R. Beebee, D. Fulbrook & B. Saunders, 25–59. London: Duke University Press.

Hall, Stuart. 1981. “Notes on Deconstructing ‘the Popular’.” In People’s History and Socialist Theory. Edited by R. Samuel, 227–240.  London: Routledge & Kegan Paul.

Manuel, Peter. 1988. Popular Musics of the Non-Western World: An Introductory Survey. Oxford University Press.

———. 2019. “Marxist Approaches to Music, Political Economy, and the Culture Industries: Ethnomusicological Perspectives.” In Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition. Edited by Ruth M. Stone and Harris M. Berger, 51–70. New York: Routledge.

Morcom, Anna and Taylor, Timothy D. Eds. 2000. The Oxford Handbook of Economic Ethnomusicology. Oxford University Press. http://dx.doi.org/10.1093/oxfordhb/9780190859633.001.0001

Qureshi, Regula B. Ed. 2002. Music and Marx: Ideas, Practice, Politics. New York: Routledge.

Taylor, Timothy D. 2015. Music and Capitalism: A History of the Present. University of Chicago Press.